RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,


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RAFFAELLO Sanzio St John the Baptist oil


St John the Baptist
Painting ID::  51263
St John the Baptist
c. 1518 Oil on canvas, 165 x 147 cm
c._1518_ Oil_on_canvas,_ 165_x_147_cm
   
   
     

RAFFAELLO Sanzio Psyche Offering Venus the Water of Styx oil


Psyche Offering Venus the Water of Styx
Painting ID::  51284
Psyche Offering Venus the Water of Styx
1517 Red chalk, 263 x 197 mm
1517_ Red_chalk, _263_x_197_mm
   
   
     

RAFFAELLO Sanzio St Paul Preaching in Athens oil


St Paul Preaching in Athens
Painting ID::  51286
St Paul Preaching in Athens
Tempera on paper, mounted on canvas, 390 x 440 cm
Tempera_on_paper,_ mounted_on_canvas,_ 390_x_440_cm
   
   
     

RAFFAELLO Sanzio The Handing-over the Keys oil


The Handing-over the Keys
Painting ID::  51287
The Handing-over the Keys
1515 Tempera on paper
1515_ Tempera_on_paper
   
   
     

RAFFAELLO Sanzio The Death of Ananias oil


The Death of Ananias
Painting ID::  51288
The Death of Ananias
1515 Tempera on paper
1515_ Tempera_on_paper
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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